Here are all the paintings of Eugene Delacroix 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
68550		A Christian Martyr Drowned in the Tiber During the Reign of Diocletian	1855 Oil on canvas 171 x 148 cm
40003		A Courtyard in Tangiers	mk155 1832 Watercolor over graphite drawing 20.7x29.4cm
44197		A Mad Woman	c. 1822 Oil on canvas, 41 x 33 cm
40044		A Moroccan from the Sultan-s Guard	mk155 1845 Oil on canvas 32x41cm
44203		A Mortally Wounded Brigand Quenches his Thirst	c. 1825 Oil on canvas, 32,5 x 40,7 cm
52482		A Vase of Flowers on a Console	1848-50 Oil on canvas, 135 x 102 cm
52467		A Young Tiger Playing with its Mother	1830 Oil on canvas, 131 x 194,5 cm
58662		A Young Tiger Playing with its Mother	A Young Tiger Playing with its Mother, 1830
70850		Abduction of Rebecca	Medium Oil on canvas Dimensions 100.3 x 81.9 cm
40046		African Priates Abducting a Young Woman	mk155 1853 Oil on canvas 65x81cm
89430		Alexander und die Epen Homers	2nd third of 19th century Medium Oil on canvas Dimensions Deutsch: 221 x 292 cm cjr
40048		Algerian Women in their Apartments	mk155 1834 Oil on canvas 180x229cm
20915		Algerian Women in Their Appartments (mk05)	1834 Canvas 71 x 90 1/4''(180 x 229 cm)Acquired at the Salon of 1834 INV 3824(S/AR)
40678		Algerian Women in their Chamber	mk156 1834 Oil on canvas 180x229cm
56569		algeriska kvinnor	mk248 ar 1832 var delacroix med i den franske ambassadorens folje da denne besokte sultanen av marocko ocb ban bamtade aven senare inspiration fran resan. detaljen visar den teknik som delacracroix borjada seden ban studerat constables brub av separerade nyanser ocb dess livfulla effrker.
71191		apartment	mk290 1834 oil on canvas 70x90in musee du louvre paris
938		Apasia	1824 Musee Fabre, Montpellier
58654		Apollo slaying Python	Apollo slaying Python, 1851, the Louvre
43963		Apollo Slays Python	c. 1850 Drawing, 272 x 440mm
52483		Apollo Slays Python	1850-51 Oil on mounted canvas, 800 x 750 cm
62858		Apollo Slays Python	1850-51 Oil on mounted canvas, 800 x 750 cm Musee du Louvre, Paris This painting decorates the ceiling of the Galerie d'Apollon in the Louvre. Delacroix's greatest virtuosity was reserved for a project which came in 1850, between the decoration of the Senate and Palais Bourbon libraries and the monumental Salon de la Paix at the Hotel de Ville, and was the most important commission of Delacroix's life. It was nothing less than the decoration of the Galerie d'Apollon in the Louvre. Following a fire, Le Vau had reconstructed this historical gallery for Louis XIV, while the decoration was entrusted to Charles Le Brun. Then in 1678, Louis left Paris for Versailles, and work ceased. In 1793, in the wake of the French Revolution, the Louvre became a museum, and the Second Republic deemed the completion of the decoration a republican duty. Le Brun had intended a subject dear to the heart of the Sun King: Apollo on his chariot. For Delacroix, to make his mark at the very heart of the Louvre and to do so not by exhibiting paintings but by decorating the central part of a ceiling was a thrilling opportunity. Before he began, he felt the need to study the works of Rubens in Belgium. In his Apollo Slays Python, Delacroix retained Le Brun's ambition to portray the mythological figure of Apollo in the gallery of that name. But Delacroix enhanced Le Brun's allegory with a further allegory close to his own heart: intelligence wrestling with barbarity and light struggling with darkness. By emphasising the contrast between the two parts of his composition, the world of the sun above and that of darkness beneath, Delacroix transformed Le Brun's project and raised it to the plane of an eternal symbol. The subject, which Delacroix took from Ovid's Metamorphoses, is effectively the victory of Good over Evil. But it takes the form of beauty vanquishing the ugly and genius dispelling stupidity. Artist: DELACROIX, Eugene Title: Apollo Slays Python , painting Date: 1801-1850 French : mythological
87899		Apollo Slays Python	between 1850(1850) and 1851(1851) Medium Oil on mounted canvas cyf
62859		Apollo Vanquishing the Python	1850-51 Mural painting, about 800 x 750 cm Musee du Louvre, Paris This is the central panel of the vaulted ceiling of the Galerie d'Apollon in the Louvre. One of Delacroix's lesser-known masterpieces, the subject-matter was dictated by its destination. Apollo Vanquishing the Python shows the painter working in a direct line from the great decorators of the seventeenth and eighteenth centuries, without losing any of his own ardor or lyricism. Artist: DELACROIX, Eugene Title: Apollo Vanquishing the Python , painting Date: 1801-1850 French : mythological
949		Arab Horses Fighting in a Stable	1860 Musee du Louvre, Paris
58661		Arab Horses Fighting in a Stable	Arab Horses Fighting in a Stable, 1860
40051		Arab Sadding His Horse	mk155 1855 Oil on canvas 56x47cm
41077		Arab Sadding His Horse	mk159 1855 Oil on canvs 56x47cm
950		Arab Saddling his Horse	1855 The Hermitage, St.Petersburg
10816		Arabian Horses Fighting in a Stable	1860, 2' 1 1/2" x 2' 8" (64.5 x 81 cm), Bequest of Count Isaac de Camondo, 1911. Deposit from the Louvre.
53876		Arabs, which affects up in the mountains	mk234 1863 92x75cm
52463		Aspasia	c. 1824 Oil on canvas, 81 x 65 cm
62857		Attila and his Hordes Overrun Italy and the Arts	1843-47 Oil and virgin wax on plaster Bibliotheque, Palais Bourbon, Paris Delacroix decorated the walls of the library of the Palais Bourbon: two great semidomes eleven metres by eight situated on either side of the room. Delacroix decided to decorate them with allegorical subjects, one representing barbarity, Attila and His Hordes Overrun Italy and the Arts, and the other civilisation: Orpheus Civilizes the Greeks. There were in addition five little domes or bays, which would present the divisions adopted in all libraries, while not following the classification too exactly: Sciences, Philosophy, Legislation, Theology and Poetry. By making such a striking contrast between his two allegorical subjects, Delacroix contrived to symbolise War and Peace, the two poles of human conduct. Artist: DELACROIX, Eugene Title: Attila and his Hordes Overrun Italy and the Arts (detail) , painting Date: 1801-1850 French : historical
76988		Autoportrait dit en Ravenswood ou en Hamlet	Date c. 1821 Medium Oil on canvas Dimensions original: H. 0,410 m ; L. 0,330 m. cyf
89428		Babylonische Gefangenschaft	2nd third of 19th century Medium oil on canvas Dimensions Deutsch: 221 x 292 cm cjr
88470		Basket of Flowers	1848-49 Oil on canvas; 42 1/4 x 56 in. (107.3 x 142.2 cm) cjr
56571		blodbafet chios	mk248 inspirad av gericaults satt gestalta lidandets tema presenterar delacroix en gripande scen fran grekernas fribetskrig mot turkarna, som skull fa manga europeer att stalla sig pa grekernas sida. malningen kanske av talleyrand som i smyg ville stodja sin son. pa samma kanske av talleyrand som i smyg ville sodja sin som pa samma utstallning sag delacroix constables hoskrindan vilket skulle fa stor inverkan bans maleri.
62516		Bouquet of Flowers	1849-50 Watercolour, gouache and pastel on paper, 650 x 654 mm Mus?e du Louvre, Paris Delacroix painted flower paintings and landscapes in his later years. The symbolic import typical of Delacroix's subjects seems here to be lacking. They might be described as an early case of 'art for art's sake'. Delacroix took time off from his exhausting monumental labours to paint the flowers in the garden of his friend George Sand. Author: DELACROIX, Eug?ne Title: Bouquet of Flowers Form: graphics , 1801-1850 , French , still-life
942		Bouquet of Flowers on a Console_3	1848-50 Musee Ingres, Montauban
58655		Bride of Abydos	Bride of Abydos, 1857
10812		Charenton Saint Maurice	1798, Paris. 1863 Lion Hunt, Sketch, 1854. 2' 9 3/4" x 3' 9 1/4" ( 86 115 cm).
84657		Christ on the Cross	Date 1845 Medium Oil on panel Dimensions 37 x 25 cm (14.6 x 9.8 in) cjr
88543		Christ on the Cross	1845 Medium Oil on panel Dimensions 37 x 25 cm (14.6 x 9.8 in) cyf
21819		Christ on the Cross (mk10)	1860,Oil on canvas 751 x 485 cm Vannes,Musee des Beaux-Arts
928		Christ on the Lake of Gennesaret	Metropolitan Museum of Art, New York
52481		Christ on the Lake of Gennezaret	c. 1841 Oil on canvas
86659		Christus auf dem See Genezareth	Date 1854(1854) Medium Oil on canvas Dimensions 59,7 x 73,3 cm cjr
90612		Christus auf dem See Genezareth	1854(1854) Medium oil on canvas Dimensions 59,7 x 73,3 cm cyf
10814		Cleopatra and the Peasant	1838 Ackland Art Museum, University of North Carolina
84388		Cleopatra and the Peasant	oil on canvas, dimensions: 97.8 x 127.0 cm cyf
58642		Clorinda Rescues Olindo und Sophronia	Clorinda Rescues Olindo und Sophronia
87277		Combat de chevaliers dans la campagne	1824 (?) Medium Oil on canvas Dimensions 81 x 105 cm (31.9 x 41.3 in) cyf
83140		Combat de chevaliers dans la campagne.	Date 1824 Medium Oil on canvas Dimensions 81 x 105 cm (31.9 x 41.3 in) cjr
44172		Combat of the Giaour and the Pasha	1835 Oil on canvas, 74 x 60 cm
25204		Conversation mauresque (mk32)	aquarelle signee 14 x 18 cm 1833 The Metropolitan Museum of Art New York Cette seduisante Scene amoureuse faisait partie de l'album d'aquarelles donne par Delacroix au comte de Momary avec lequel il avait ovyage au Maroc en 1832
82992		Dante and Vergil in hell	Date 1822(1822) Medium Oil on canvas English: Oil on canvas Dimensions Deutsch: 189 x 242 cm cjr
86915		Dante and Vergil in hell	Oil on canvas Dimensions Deutsch: 189 x 242 cm cyf
20907		Dante and Virgil (Corssing the Lake That Surrounds the Infernal City) also called the Barque of Dante (mk05)	1822 Canvas 74 1/2 x 95 1/4''(189 x 242 cm)Scene from Dante's Jnferno Canto VIII.Acquired at the Salon of 1822 INV 3820 (G/AR)
22821		Dante and Virgil in Hel (The Barque of Dante) (mk22)	1822 Oil on canvas,189 x 246 cm Paris,Musee du Louvre
21757		Dante and Virgil in Hell (mk10)	1822 oil on canvas, 189 x 241.5 cm Paris,musee du Louvre
40674		Death of Sardanapalus	mk156 1827 Oil on canvas 392x496cm
58633		Death of Sardanapalus	Death of Sardanapalus (1827), Louvre
20917		Death of Sardanapalus (mk05)	Canvas 154 1/4 x 192 1/4''(392 x 496 cm)Salon of 1827-1828;acquired in 1921 R.F 2346(MN)
52468		Decoration of the west wall	1833-37 Oil on canvas
58670		Delacroix	Delacroix, Salon du Roi, Palais Bourbon, Paris
71765		Der Tod Laras	Dimensions Deutsch: 62 x 50 cm Date 1858
73794		Disciples at Emmaus	Date ca. 1853(1853) Medium Oil on canvas Dimensions 55.2 X 47 cm (21.73 X 18.5 in) cyf
90521		Eine Ecke des Ateliers	1830 Medium Oil on canvas cyf
40041		Encampment in Morocco between Tangiers and Meknes	mk155 1882 Watercolor,graphite and gouache highlights over graphite drawing 9.5x16cm
20919		Entry of the Crusaders into Constantinople on 12 April 1204 (mk05)	1840 Canvas 162 x 195 1/2''(''(411 x 497 cm)Commissioned by Louis-Philippe in 1838 for the historic Galleries at Versailles.Entered the Louvre in 1885 INV 3821 (G/AR))
89375		Ermordung des Bischofs von Luttich	1827 Medium oil on canvas Dimensions Deutsch: 89 x 119 cm cyf
42753		Eugene Delacroix De kill of Sardanapalus	MK169 1828 oil Paint on cloth 392x496cm
43954		Fan with Caricatures	Oil on canvas
58659		Fanatics of Tangier	Fanatics of Tangier, 1838, Minneapolis Institute of Arts
934		Female Nude Reclining on a Divan	1825-26 Musee du Louvre, Paris
43959		Female Nude, Killed from Behind	c. 1827 Pastel, red and white chalk on paper, 400 x 270 mm
25046		Femmes d'Alger dans leur appartement (mk32)	huile sur toile signee et datee 1834 180 x 229 cm Musee du Louvre Paris Un certain nombre d'artistes europeens pretendent avoir apercu comme Delacroix des femmes musulmanes dans leurs appartements du harem mais c'aurait ete violer un code social strict
53874		Foraldralos girl pa kyrkogarden	mk234 1824 65x54cm
10817		Fording a Stream in Morocco	1' 11 1/2" x 2' 4 3/4" (60x73 cm). 1858, Bequest of Count Issa de Camondo.
70461		Frauen von Algier	Medium Oil on canvas Dimensions Deutsch: 180 ?? 229 cm
58640		Frederic Chopin	Frederic Chopin, 1838, the Louvre
20911		Frederic Chopin (mk05)	Canvas 18 x 15''(46 x 38 cm)Fragment of a double portrait with George Sand;the other part of the Picture is in the Ordrupgaard,Copenhagen;bequeathed in 1907 R.F 1717(G/AR)
52478		George Sand	1838 Oil on canvas, 79 x 57 cm
58641		George Sand	George Sand, 1838, Ordrupgaard-Museum, Copenhagen, Denmark
38776		George Sand-s Garden at Nohant	mk141 1840s Oil on canvas 45.5x55.2cm
930		Girl Seated in a Cemetery	1824 Musee du Louvre
58632		Greece Expiring on the Ruins of Missolonghi	Greece Expiring on the Ruins of Missolonghi (1826), Mus??e des Beaux-Arts, Bordeaux
933		Greece on the Ruins of Missolonghi	1826 Musee des Beaux-Arts, Bordeaux
39986		Greece on the Ruins of Missolonghi	mk155 1826 Oil on canvas 209x147cm
44176		Hamlet and Horatio in the Graveyard	1839 Oil on canvas, 29,5 x 36 cm
62528		Hamlet and Horatio in the Graveyard	283 x 214 mm Biblioth?que Nationale, Paris Delacroix discovered Shakespeare in 1825 on a trip to London, where the celebrated Edmund Kean was playing Richard III. In Paris, the equally famous Talma - whose town house was decorated by Delacroix - did much to popularise Shakespeare's work in French. Delacroix saw Hamlet in Paris, in the company of Hugo, de Vigny, Dumas, Nerval and Berlioz. The Shakespearean hero, imperfect, immoderate and immature, was perfectly adapted to Delacroix's temperament, and gave free rein to his imagination; in his hands, the hero could be completed and perfected. It was, of course, Hamlet who most fascinated Delacroix. "Alas, poor Yorick! - I knew him, Horatio: a fellow of most infinite jest..." (Act V, Scene 1). The scene of Hamlet and Horatio in the Graveyard inspired a painting and a series of lithographs which mirror the development of his art as a whole. Author: DELACROIX, Eug?ne Title: Hamlet and Horatio in the Graveyard Form: graphics , 1801-1850 , French , other
83555		Hamlet und Horatio auf dem Friedhof	Date 1839(1839) Medium Oil on canvas Dimensions Deutsch: 81 x 66 cm cjr
87390		Hamlet und Horatio auf dem Friedhof	1839(1839) Medium Oil on canvas Dimensions Deutsch: 81 x 66 cm cyf
94968		Head of a Woman	Date 1824 cyf
44188		Heliodoros Driven from the Temple	1854-61 751 x 485 cm
84703		Heliodoros Driven from the Temple	Date between 1854(1854) and 1861(1861) Medium Oil and wax on plaster cjr
88613		Heliodoros Driven from the Temple	between 1854(1854) and 1861(1861) Medium Oil and wax on plaster cyf
93662		Hinrichtung des Dogen Marin Faliero	1827(1827) Medium oil on canvas Dimensions Deutsch: 145 x 137 cm cjr
75298		Huile sur toile	Don de Horace de Choiseul (1866) Date 1825 cyf
62521		Illustration for Goethe's Faust	1825-27 Pencil on beige paper, 225 x 295 mm Mus?e du Louvre, Paris The scene of Faust and Mephisto Gallop through the Night of the Witches' Sabbath is an illustration for Goethe's Faust, Verse 4399-4404. In this work everything is movement and expression. Author: DELACROIX, Eug?ne Title: Illustration for Goethe's Faust Form: graphics , 1801-1850 , French , other
43956		Illustration for Goethe-s Faus	1825-27 225 x 295 mm